Today Jose & I sculpted hair & ears; made great progress. Over the weekend, we added a layer of clay over the entire form to unify the color thus making it much easier to understand the form we're sculpting. Tomorrow will be more sculpting of the form as well as smoothing the overall surface with flexible steel ribs.
American Beauty's ear taking shape.
Monday morning with American Beauty
Friday's headway on "American Beauty"
We've been working since 7:30 this morning; It's 8pm now and still 105°, I'm beat and ready to go home.
Thursday's headway on "American Beauty"
Work is progressing well on American Beauty. Jose Rodriguez is up from Austin offering invaluable help in getting this piece finished with the attention to detail that I'm looking to achieve. I'm also getting great help from Christie Hackler and Christie Owen.
American Beauty |
Red Head bad boy put back into service today to make another 160 lbs of oil clay |
Jose Rodriguez working on the hair |
Jose Rodriguez working on the hair |
Going over mig welding theory with Christie Owen |
Christie admiring the pattern |
Cutting steel panels with the plasma cutter |
Cutting steel panels with the plasma cutter |
Going over process |
Christie cleaning up the panels with the Dewalt |
Getting that steel sliver out |
Inspection |
Demonstrating interior welding |
Sculpting on American Beauty
Sunday studio work
Working on Sunday with Christie Owen and Jose Rodriguez. Sculpting on American Beauty and getting some pieces patinated to ship out to Whistler Village Art Gallery and to a private collector.
sandblasting
heating up the Oarsman
patina notes and chemicals
Spraying Lacquer
finished "Dive"
finished "Oarsman"
Mixing oil clay batch 2 with the new and improved Bad Boy Oil Clay Machine. We mixed 160 pounds of oil clay at once.
We lost some detail in some areas of the first body cast so we got Kim back in today to sit for some additional bodycasting. Once these new sections are dry, I will cast urethane foam into them to use as visual reference while sculpting the large piece.
David Phelps Art
David Phelps Art
Sculpting today with Christie Hackler, Christie Owen, Jose Rodriguez. Making good progress.
Getting ready to attach the torso to the wooden platform.
I'm carving out channels in the bottom of the foam to give the expanding foam more surface to grab onto. When the piece is done it will slide into a 26' Penske truck for the trip to Deep in the Heart Foundry
David Phelps Art
I'm carving out channels in the bottom of the foam to give the expanding foam more surface to grab onto. When the piece is done it will slide into a 26' Penske truck for the trip to Deep in the Heart Foundry
David Phelps Art
Christie Hackler & Jose Rodriguez working on the oil clay leg after we just got the torso glued down to the platform.
David Phelps Art
New Oil Clay for Reclining Female
making oil clay with Jose Rodriquez & Christie Hackler
We are sculpting a twenty foot long reclining female sculpture that will be cast in an edition of 5 numbered castings and 1 artist proof. The first casting will go to collectors in Houston. I make my own oil clay using this formula:
50 lbs of 0M-4 ball clay
10 lbs of victory brown wax
10 lbs of red wax
5 quarts of 30 weight non-detergent NEW motor oil ( don't use used crankcase oil, it's carcinogenic)
2 lbs Grease (valvoline general multi purpose grease)
Melt the wax, pour in the motor oil & grease.
Keep it hot and use a paint stirrer in a powerful drill to stir it up well.
I pour the dry clay in all at once and stir up thoroughly while keeping it hot.
Keep it hot and occasionally stir well for a couple of hours.
Pour it out on thick plastic sheeting to cool.
Spread it out to about an inch thick.
When cooler, lift in up in small enough sections that you can put the pieces in 5 gallon buckets.
This makes very nice smooth oil clay.